Benefit to Students
In what ways will this project directly benefit the students and their growth as cultural participants or in the creative industries? What new skills or experiences will be offered? How does this project enhance, or fill a gap in, the generally available curriculum and offerings?
1-2: Poor to Marginal | 3-4: Fair to Satisfactory | 5-6: Good to Very Good | 7-8: Outstanding to Exceptional |
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Benefits to students in cultural participation or skill development are not or inadequately addressed with many major weaknesses. | The project will benefit students’ cultural participation or skill development in only a few minor ways. | Many significant benefits to cultural participation or skill development are proposed with a few minor weaknesses. | Benefits to cultural participation or skill development are very good or exceptional with only a few or no minor weaknesses. |
Proposed Outcomes and Evaluation Strategy
How will the benefits to the students be measured?
1-2: Poor to Marginal | 3-4: Fair to Satisfactory | 5-6: Good to Very Good | 7-8: Outstanding to Exceptional |
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The outcomes and evaluation strategy are not or inadequately addressed with many major weaknesses. | The outcomes and evaluation strategy are addressed in a few minor ways. | The outcomes and evaluation strategy are addressed in a significant and positive way, with a few minor weaknesses. | The project addresses outcomes and evaluation in a very good or excellent way with only a few or no minor weaknesses. |
Community Priorities
The City of Boulder’s 2015 Community Cultural Plan is a visioning and strategic document that describes how the people of Boulder will align efforts, with the support of the municipal government, to achieve our collective vision: Together, we will craft Boulder’s social, physical, and cultural environment to include creativity as an essential ingredient for the wellbeing, prosperity, and joy of everyone in the community. The Community Priorities are six points that summarize the community’s most common responses in answer to the question, “What is your vision for Boulder’s culture and creative economy?”
Reference: Cultural Plan and Community Priorities.
Examples of ways to demonstrate impact on the Community Priorities may include descriptions of how your project or organization:
- Supports artists and creative professionals by providing professional development programming.
- Contributes to Boulder’s creative identity and creates a vibrant cultural destination through high artistic merit and excellence in the practice of a medium or discipline.
- Engages the community in civic dialogue about the arts through interactive outreach in the neighborhoods.
- Adds creativity in the public realm by engaging underserved populations in art-making for their community.
In what way will this project contribute to one or one or more of the Community Priorities described in the 2015 Community Cultural Plan? Does the project contribute to one priority thoroughly?*
1-2: Poor to Marginal | 3-4: Fair to Satisfactory | 5-6: Good to Very Good | 7-8: Outstanding to Exceptional |
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Does not or minimally addresses how the project will contribute to one or several of the Community Priorities. | Few or some aspects of the project will address one or several of the Community Priorities. | Several aspects of the project will significantly address one or more of the Community Priorities. | The project will address one or more of the Community Priorities in very strong or exceptional ways. |
Cultural equity
Among the goals of the Boulder Arts Commission is to encourage the equitable, fair, and just distribution of funds in support of the community. This includes providing support to applicants whose organizational leadership, audience, collaborators, artists, and project partners represent groups who are typically underrepresented, i.e. culturally diverse groups, organizations focused on age diversity, etc.) Describe how your project does or does not fulfill one or several of these categories. Describe how your project will address affordability, availability, accessibility, accommodation, and acceptability to diverse groups. For reference, please review the Boulder Arts Commission and Americans for the Arts Statements on Cultural Equity.
Reference: Boulder Arts Commission Statement on Cultural Equity
1-2: Poor to Marginal | 3-4: Fair to Satisfactory | 5-6: Good to Very Good | 7-8: Outstanding to Exceptional |
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It offers no or very few advances for diversity, equity and inclusion. | The project addresses issues of diversity, equity, and inclusion in a minor way with one or more major or moderate weaknesses. | The project addresses issues of diversity, equity, and inclusion in a moderate way with few minor weaknesses. | The project addresses issues of diversity, equity, and inclusion in very good or exceptional ways with one or no minor weaknesses. |
Boulder Focus
Are you a Boulder organization/individual serving Boulder or are you an organization/individual outside of Boulder and to what degree do you focus on Boulder programming?
1 | 2 - 3 | 4 - 5 | 6 |
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Not based in Boulder; programs only occasionally offered in Boulder; few connections to Boulder businesses and workers; no ties to the community. | May not be based in Boulder; programs regularly offered in Boulder; few connections to Boulder businesses and workers; moderate ties to the communities and neighborhoods; few connections to Boulder among staff and board. | May not be based in Boulder; programs primarily in Boulder; some connections to Boulder businesses and workers; some ties to Boulder communities and neighborhoods; some connections to Boulder among the staff and boards. | Based in Boulder; programs primarily offered in Boulder; significant connections to Boulder businesses and workers; Boulder communities and neighborhoods; staff and board are invested in Boulder. |
Encouragement Points
Encouragement points. Among the goals of the Boulder Arts Commission is to encourage the equitable, fair, and just distribution of funds in support of the arts community. Panel members use these “extra points” to balance the scoring, emphasizing applications which tend to score lower in standard categories or historically are underrepresented in grantmaking. Commissioners will be looking for these elements in your responses above.
Examples include:
- Youth applicants who are applying with the help of a mentor of legal age.
- Have the potential to support community and participatory culture and non-professional artmaking.
- Applicants for whom English is not their first language.
- Non-western European art forms or other forms of culture that have typically been disadvantaged by the systems and traditions of grantmaking.
- Elements of the application that the panel member determines will significantly advance stated priorities of the Arts Commission, important issues in the community outside of the arts, or other impacts that are not expressed in the other scoring criteria.
Please check this box if any of these are addressed in your application.*
Are you a first time applicant or have you not been awarded a competitive grant before from the Commission? *
1 | 2 | 3 | 4 |
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Does not need any “extra points” to be competitive in other grant scoring categories or the program overall. | A few elements of the application indicate the need for a rebalancing of scoring in order for the applicant to be competitive in one or two scoring categories. | Several of the elements of the application call for a rebalancing of scoring in order for the application to be competitive in all other scoring categories. | The application as a whole indicates the need for “extra points” in order to be competitive in all scoring categories. Or, a first time applicant. Or, requires a rebalancing of scoring to offset a significant historical or structural inequity. |